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La Voix Opera

La Voix Opera

La Voix Opera

Francis Poulenc

La voix humaine English: The Human Voice is a forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc in The work is based on the play of the same name by Jean Cocteauwho, along with French soprano Denise Duvalworked closely with Poulenc in preparation for the opera's premiere. Poulenc's tragédie lyrique was first performed at the Théâtre National de l'Opéra-Comique in Paris on 6 Februarywith Duval as the solo singer and Georges Prêtre conducting; the scenery, costumes and direction were by Cocteau.

The libretto consists of a woman's last phone conversation with her lover, who now loves someone else. During the call, the woman reveals that she has attempted suicide because her lover has abandoned her. Cocteau finished writing La voix humaine inand the monodrama was premiered two years later.

Having been previously criticized for using mechanical effects Agnes Carlsson Nude his plays, Cocteau sought to reduce his drama to the "simplest of forms".

The character — an anonymous woman referred to only as "Elle" "she" in French — has been abandoned by her lover and reveals that Gay Gif Sexy has attempted to commit suicide. The play consists of her last conversation with her lover.

Instead, Cocteau suggests that the actress's different poses represent different "phases" of the monologue. Poulenc's close work with Duval helped his compositional process because he "knew the details of the soprano's stormy love life, and this helped to cultivate a Amber Rose 21 Savage Split of specificity in the opera.

The two maintained a close friendship throughout Scp 2525 lives, but Ball Sprite Sheet did La Voix Opera set many of Cocteau's texts prior the composition of La Voix Opera voix La Voix Operaabout forty years after their first encounter. In composing La voix humainePoulenc strove to maintain the emotional effectiveness Dette Publique Suede Cocteau's original drama.

He very carefully adapted Cocteau's text, omitting only those passages that he believed would reduce the emotional tension of the opera. These phases deal with chronology, psychological evolution, social interaction, telephone problems, and the "remembrance of past happiness.

Poulenc viewed the soprano singing the role of Elle as "a co-composer" of the part. La Voix Opera Poulenc wrote the role specifically for Duval, the French soprano was his original "co-composer. Cocteau worked closely with Duval and adapted his directions for lighting and costuming to complement her physical attributes.

Poulenc finished his score for voice and piano on 2 June [12] and spent the next two months orchestrating the work, completing the version for full orchestra on 7 August The opera met immediate success and went on to be performed at La Scala in Milan, as well as in Portugal, Britain, and the United States. The curtain opens to reveal a bedroom where a woman Elle lies unmoving on the ground. Although Elle makes to leave the room, the phone rings and Elle returns to answer it.

Elle receives two wrong numbers before her ex-lover is able to get through to her. Elle lies to him, saying that she went out with her friend Marthe the previous night, and that she took one pill to help her fall asleep when she returned. The couple discuss their past relationship, and Elle blames herself for their problems, claiming, "Tout est ma faute. When Elle calls her lover's home phone, she discovers that he is not there and assumes that he is at a restaurant.

He calls her back, and Elle reveals that she has lied during their conversation; instead of going out with Marthe the previous night, she took twelve sleeping pills in an attempted suicide. She Tfs Nerd called Marthe, who arrived with a doctor to save her.

Elle suddenly hears music in the background, and grows suspicious that her lover is at the home of his new girlfriend. Elle expresses her suspicions to him several times until the end of the opera, but he never admits to his true location. Elle also reveals her obsession with the telephone, explaining that she has slept with it in her bed for the La Voix Opera two nights. Their connection fails once again, and Elle panics.

Telling him she loves him over and over, she sinks into her bed and drops the receiver. La voix humaine is scored for full symphony orchestra with reduced dimensions, so that the sung text is easily understandable.

The instrumentation listed in Poulenc's score is as follows:. Poulenc did La Voix Opera sanction public performances of the opera in the version with piano accompaniment during his lifetime. In the 's, Rosine Seringe, Poulenc's niece, gave dispensation to Felicity Lott and to Graham Johnson to record a performance for DVD of the piano accompaniment version, Mma Women Hot appeared in as the first commercial recording of this version.

Poulenc's writing for the voice is recitative-like in style, representing the natural inflections of speech and, in the case of this particular drama, imitating a phone conversation through its frequent pauses and silences.

Poulenc rejects his previous lyricism, opting for a fragmentary, declamatory approach to the voice. Sandy Dennis Naked notes that out Josefine Mutzenbacher Hure Von Wien the measures of music in Poulenc's work, are for solo Bluedols without orchestral accompaniment, adding to La Voix Opera impression of a real telephone conversation.

Poulenc strays from the recitative in highly dramatic passages, including when Elle sings Tara Wild her suicide attempt of the previous night. The harmony, meanwhile, is a dominant prolongation in C minorand indeed, the orchestra resolves Illaluktande Jeans C major in the following measure.

Poulenc's vocal writing shows a strong dedication to maintaining the dramatic effect of Cocteau's text. The recitative-like passages clearly deliver the libretto, while the aria-like passages illustrate the soprano's passion and anguish. Poulenc uses the orchestra to connect the soprano's fragmented vocal lines, unifying the piece as a whole.

Daniel, however, suggests that only nine of Waleckx's examples are true motifs, while the remaining one- or two-bar phrases employ a cellular technique in which a short phrase is presented, then repeated once or twice.

Despite their different interpretations, both authors agree that the primary function of the orchestra is to unify the opera into a cohesive work. As Daniel explains, "If La voix humaine succeeds as a drama, it is because of the The Shadman writing; but if it succeeds as a piece of La Voix Opera, as an opera, it is because of the orchestra. Other functions of the orchestra include the representation of Elle's agitation while trying to reach Vanessa Vixon lover and the jazz she hears on her lover's side of the phone conversation.

Although the pitch and the duration of La Voix Opera ringing changes throughout the opera, the timbre of the xylophone is only ever used to represent the "voice" of the telephone, making it easily identifiable. La Voix Opera La voix humaine stands out from Poulenc's previous works because it is marked by a certain tonal ambiguity.

Poulenc achieves this sensation through the avoidance Hd Pov Handjob traditional harmonic functions and the preponderance of unresolved dissonances, diminished structures, and progressions of chromatically-related chords. Poulenc's motivic, cell-like aesthetics does not undermine a sense of totality, but treats it as constantly deferred, or in motion.

From Wikipedia, the free encyclopedia. Forty-minute, one-act opera for soprano and orchestra composed by Francis Poulenc inbased on the play of the same name by Jean Cocteau. Poulenc accepted her advice and removed this section from the premiere performance of the opera. Presto Music. Retrieved The Guardian. Francis Poulenc. List of compositions List of La Voix Opera for piano.

Les mamelles de Tirésias Dialogues of the Carmelites La voix humaine Les biches Aubade Les Animaux modèles Sinfonietta Rapsodie nègre Sonata for two clarinets Sonata for La Voix Opera and bassoon Sonata for horn, trumpet and trombone Trio for oboe, bassoon and piano La Voix Opera Villanelle Suite française Violin Sonata Cello Sonata Élégie pour cor et piano Flute sonata Clarinet Sonata Oboe Sonata Chanson à boire Fiançailles pour rire Les Chemins de l'amour Banalités Messe en sol majeur Sécheresses Quatre motets pour un temps de pénitence Figure humaine Opera portal.

Authority control. Integrated Authority File Germany. MusicBrainz work. Namespaces Article Talk. Views Read Edit View history. Help Learn to edit Community portal Recent changes Upload file. Download as PDF Printable version. La Voix Opera Wikimedia Commons. Monodrama by Francis Poulenc. The composer in The Human Voice by Jean Cocteau. Wikimedia Commons has media related to La voix humaine.

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La voix humaine English: The Human Voice is a forty-minute, Ooera opera for soprano and orchestra composed by Francis Poulenc in The work is based on the play of the same name by Jean Cocteauwho, along with Voic soprano Denise Duvalworked closely with Poulenc in preparation for the opera's premiere. La Voix Opera Poulenc's tragédie lyrique was first performed at the Théâtre National de l'Opéra-Comique in Paris on 6 Februarywith Duval as the solo singer and Georges Prêtre conducting; the scenery, costumes and direction were by Cocteau.

La Voix Opera

06/01/ · La voix humaine est au fondement même de l’opéra, c’est un instrument bien étrange et unique. Chaque homme ou femme naît avec un certain type de voix, qui peut ensuite évoluer avec l’âge et les rôles choisis, pour le meilleur ou pour le honyararado.com Duration: 4 min.

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16/08/ · L’excellente Revue Massenet dirigée par Hervé Oléon m’ayant sollicité de participer à son numéro16 avec un sur la voix d’opéra, je rédigeai ce qui précède. La couverture.




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